Archives and Special Collections
92 Snell Library
360 Huntington Ave.
Boston, MA 02115
(617) 373-2351
archives@neu.edu

Archives and Special Collections Finding Aids

Printable Finding Aid. Back to Browsing Version.

Collection Overview
Title:The Theater Offensive records
Dates: 1987-2005
Location:64/3-4
Call Number:M82
Volume:6.30 cubic ft. (7 boxes, 3 flat file folders)
Scope and Content Abstract:The collection documents the artistic and administrative processes of The Theater Offensive. Individual productions and festivals are documented by publicity materials, press coverage, programs, scripts, and budget. Education and outreach programs are documented by correspondence, scripts, surveys, meeting notes, and publicity materials. The Theater Offensive's relationship with the queer performance community is documented by submissions and offers of potential collaborations. Administrative processes are documented by board minutes, financial reports, extensive grant files, strategic planning documents, and newsletters. Of particular interest is the Photographs series, which includes portraits, publicity photographs, and performance photographs.
Historical Abstract:The Theater Offensive was founded in 1989 by Abraham Rybeck "to form and present the diverse realities of queer lives in art so bold it breaks through personal isolation and political orthodoxy to help build an honest, progressive community." The Theater Offensive mounts and produces festivals and individual productions by national and local queer performers, and also serves as a development environment for new theatrical work. In addition, The Theater Offensive works to build community through education, outreach, and political activism.
Arrangement:Arranged into 9 series: 1. Administration; 2. Early and In-House Productions; 3. Education and Outreach; 4. Grants; 5. OUT On The Edge; 6. Other Festivals and Productions; 7. Plays At Work; 8. Submissions and Potential Collaborations; and 9. Photographs.
Subjects and Contributors:
  • Rybeck, Abraham P.

  • The Theater Offensive.

  • Drama festivals.
  • Theater and youth—Massachusetts—Boston.
  • Theater management—Massachusetts—Boston.
  • Theater—Gay theater—Massachusetts—Boston.
  • Theater—Political aspects—Massachusetts—Boston.
  • Theater—Production and direction.
  • Theatrical companies.

Restrictions:Access to the collection is unrestricted. Special copyright restrictions may apply.
Processor:Finding aid prepared by Molly Overholt, June 2003

Scope and Content Note

The collection documents the artistic and administrative processes of The Theater Offensive. By documenting the premier queer theater company in New England, the collection also documents queer and progressive theater in Boston and nationwide in the 1990s and into the 21st century. The collection is of particular interest to researchers considering the development of theater as a forum for political activism and personal expression, especially in the queer community. Individual productions and festivals are documented by publicity materials, press coverage, programs, scripts, and other material. Education and outreach programs are documented by correspondence, scripts, surveys, meeting notes, and publicity materials. The Theater Offensive's relationship with the queer performance community is documented by submissions and offers of potential collaborations. Administrative processes are documented by board minutes, financial reports, extensive grant files, strategic planning documents, and newsletters. Of particular interest is Series 9, which includes portraits, publicity photographs, and performance photographs.

The most extensive documentation is from 1990-1998; because The Theater Offensive is still an active and operating theater company, material from the last several years is still largely at their offices.

Historical Note

The Theater Offensive was founded in 1989 by Abe Rybeck "to form and present the diverse realities of queer lives in art so bold it breaks through personal isolation and political orthodoxy to help build an honest, progressive community." The Theater Offensive grew out of Rybeck's involvement with the United Fruit Company, a guerrilla street theater company based in Boston. The United Fruit Company was created out of the desire for "no more boring demonstrations!" The company agitated against apathy towards AIDS, rampant consumerism, homophobia and homophobic social policy, the war in Nicaragua, and other right-wing political positions with pointedly funny musical sketches. Rybeck saw further potential for activist theater beyond the scope of what the United Fruit Company was able to produce and created The Theater Offensive as an incubator for that theater.

The Theater Offensive seasons initially centered around the OUT On The Edge festival and performance pieces developed by Abe Rybeck himself. OUT On The Edge was conceived as a showcase for the state of current queer theater, and each festival has hosted a number of different local, national, and international performers. As The Theater Offensive became more established, yearly seasons began to include stand-alone runs of single plays and performances, as well as pieces developed by local artists. From the beginning, The Theater Offensive mixed in-house productions with touring productions of nationally known queer performers. As a result, it has become the premier showplace for queer theater in New England, and has hosted a number of world as well as regional premieres.

The Theater Offensive has been strongly committed to fostering the creation of new work by underserved and marginalized groups. Through several channels, principally the annual Plays At Work festival, The Theater Offensive has provided workshop environments for budding playwrights and performers to see their developing work through to the performance stage, and to receive feedback and support to improve the nascent productions. In addition to serving as a political force within and without the queer community, The Theater Offensive also conducts outreach and educational programs. Programs and collaborations they have created have been recognized by artists, activists, and local leaders as models of community organizing through artistic expression.

The Theater Offensive continues to be in residence at the Boston Center for the Arts.

Bibliography

The Theater Offensive. http://www.thetheateroffensive.org/
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Series:

1. Administration, 1989-2001
Volume:0.66 cubic ft.
Arrangement:

Alphabetical
Summary:

The series documents the administrative activities of The Theater Offensive. Included in the series are bylaws, the articles of organization, and the mission statement. The Theater Offensive board is actively involved in the day-to-day and long-term operations of the company; a nearly complete set of minutes documents the plans and procedures of the board. Financial information includes annual financial reports, fund raising materials, and marketing and advertising records. Long-range plans are documented by lists of goals and objectives, strategic planning documents, and a formal ten-year plan. Of particular interest are video tapes and transcripts of three focus group meetings from 1998, convened in order to assess The Theater Offensive's place in the Boston theater marketplace. The series also documents The Theater Offensive as a resident company of the Boston Center for the Arts with plans for the physical plant, guidelines for resident companies, theater and studio rental agreements, box office and ticketing procedures and issues, and other materials.
BoxTitleDate
1Administrative Tasksn.d., 1993, 1999
1Articles of Organization1989
Boston Center for the Arts
1Box Office and Ticketing Issues1991-1996
1Floor and Lighting Plansn.d.
1Flyers1993-1996
1Handbook for Theatre Renters1998
1Residency1993-1997
1Studio Program1993
1Theater Rentalsn.d., 1997
Board of Directors
1Members and Dutiesn.d., 1996-1997
1Minutes (3 folders)1993-1999
1Retreats1994-1999
1Bylawsn.d.
1Correspondencen.d., 1994-1997
1Financial Reports (9 folders)1989-1999
Fund raising
1Business Donations1996-1998
1Drives1993-1996
1Letters1989-2001
1Legal Issues1994-1998
1Marketing and Advertisingn.d., 1996-1998
1Mission Statementn.d.
Personnel
1Board/Staff Handbook1996
1Managing Directorn.d., 1997
1Positionsn.d., 1990-2001
1Sample Show Contracts1998
Planning
110 Year Plan1998
1Demographic Survey1996
Focus Group
1Transcripts (3 folders)1998
1Videotapes (3 VHS tapes)1998
1Goals and Objectives1991-1998
1Strategic Planning1997
Public Relations
1Generaln.d., 1996, 2000
Newsletters
1dishrag (2 folders)1993-1996
1On The Offensive2000-2001
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Series:

2. Early and In-House Productions, 1986-2005
Volume:1.00 cubic ft.
Arrangement:

Alphabetical
Summary:

The series documents The Theater Offensive's first non-festival productions as well as productions by the Artistic Director, Abe Rybeck and the United Fruit Company. Many early The Theater Offensive productions and collaborations were based on the work of Rybeck. In addition to being an active performer, Rybeck is also a playwright and songwriter, and he created several full-scale works with The Theater Offensive, as well as numerous solo works, short pieces for United Fruit Company, and the queer cabaret band Adult Children of Heterosexuals. Blame It On The Big Banana, Dirt, and Pure PolyESTHER are Rybeck's original works of musical theater, workshopped and produced in several iterations in conjunction with The Theater Offensive. All three are documented by several script drafts, as well as performance programs, press materials, publicity, and other materials. Material about Rybeck includes interviews and documentation of his solo work. This Is Not A Test is Rybeck's full-length one-man cabaret act about living in the AIDS pandemic. It is documented by script drafts, performance programs, press materials, publicity, and stage designs. United Fruit Company activities are documented by scripts, reviews, publicity materials, and the pamphlet "Hunks of Nicaragua," protesting US support of the Sandinista government. The series also documents Motherlands, the first full-length production not written by Rybeck that was developed and staged through The Theater Offensive.
BoxTitleDate
Adult Children of Heterosexuals
1Lyrics and Sheet Musicn.d.
1Press and Publicity (2 folders)n.d., 1991-1994
1Recruitingn.d.
1Scriptsn.d., 1993
Blame It On The Big Banana
1Budget1990
1Logisticsn.d., 1988
1, FF5/D3Press and Publicity1990
1Programsn.d.
1, 2Scripts (5 folders)1989
2Sheet Musicn.d.
Dirt
2Budget 1997
2Logistics1997
2Outlines and Developmentn.d., 1996
2, FF5/D3Press and Publicityn.d., 1994-1997
2Programsn.d., 1997
2Reviews1997
2Scripts (7 folders)1995
Motherlands
2Budget 1997
2Fund Raising and Marketing1997
2Logistics1997
2Performance and Discussion1997
2, FF5/D3Press and Publicity1997
2Reviews1997
Pure PolyESTHER
2Budget 1991-1999
2Fund Raising and Marketing1991-1992
2Logisticsn.d., 1991-1997
2, FF5/D3Press and Publicityn.d., 1991-1997
2Programs1991-1999
2Reviews (2 folders)1991-1999
2Scripts (3 folders)1991-1995
Rybeck, Abe
2Interviews1990-1997
2, FF5/D3Performancesn.d., 1990-1995
2Workshopsn.d., 1997
This Is Not A Test
2Correspondencen.d., 1990-1991
2Fund Raising and Marketingn.d., 1991
2, FF5/D3Logisticsn.d., 1990-1994
2, FF5/D3Press and Publicityn.d., 1990-1993
2Program1991
2Reviews1991-1993
2Scripts (5 folders)n.d., 1991-1993
2 Too Tall Blondes in Love: Script 2005
United Fruit Company
2Logisticsn.d., 1990
2Hunks of Nicaragua Calendar1986
2Press and Publicityn.d., 1985-1990
2Programsn.d., 1988
2Reviews (2 folders)1987-1988
Scripts
2I Am What I Wearn.d.
2Other Sketchesn.d.
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Series:

3. Education and Outreach, 1990-2000
Volume:0.66 cubic ft.
Arrangement:

Alphabetical
Summary:

The series documents the educational and outreach activities of The Theater Offensive. The majority of these activities are directed toward youth, centering around opportunities for young queer actors to develop their own work and voices and also serve as peer educators. The True Colors OUT Youth Theater troupe (formerly Teen Theater Works) generates original productions written and performed by its young actors. It is documented by scripts, meeting notes, correspondence, news clippings, and publicity materials. The series also documents The Theater Offensive's youth outreach programs, including the Safe Schools project. The Safe Schools project in particular was a collaboration with the Massachusetts Department of Education to promote tolerance and acceptance of queer students and raise AIDS/HIV awareness among high school students.
BoxTitleDate
2Boston Living Center Collaborationn.d., 1995, 1997
2Boston Teen Gay, Lesbian, Bisexual, and Transgender Theatern.d., 1994
Dramatic Writing Workshop
2Planning1996
2Submissions1996
2High School Workshop: Audience Evaluationsn.d.
2Living With AIDS Theater Project: Lessons From the Heart, Scripts and Programs (4 folders)n.d., 1990-1996
2Peer Leadership Conference1995
2Safe Neighborhoods Youth Fund1996
Safe Schools
2Reportsn.d., 1994
2Workshop Outlinesn.d., 1997
Straight Out Of High School
2Audience Surveysn.d.
2Script Outlines and Notesn.d., 1994
2Street Theater Projectn.d., 1994
2Theater of Action Workshopn.d.
True Colors
2Administrativen.d., 1996-1997
2Budget n.d., 1994-2000
2Correspondencen.d., 1996
2Curriculum Resourcesn.d., 1977, 1994, 1997
2Grants1996-1997
3Marketingn.d., 1996-1998
3Participant Biographiesn.d.
3Planning Notes and Reportsn.d., 1996-1998
Productions
3Love and Mosquitoes1998
3Performance Slams1997-1998
3Straight Out Of High Schooln.d., 1994
3, FF5/D3Publicityn.d., 1997-1999
3School Contractsn.d., 1996
3Workshop Questionnaires1997
3Workshops and Residencyn.d., 1996-1997
3Youth Pride Retreat1995-1996
YouthReach
3Initial Planningn.d., 1996-1998
3Massachusetts Cultural Council1997-1998
3Structure and Activitiesn.d., 1996-1998
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Series:

4. Grants, 1988-1998
Volume:0.33 cubic ft.
Arrangement:

Alphabetical
Summary:

The series documents The Theater Offensive's efforts to obtain grant funding. The applications document proposed projects and describe the nature of the business operations of The Theater Offensive. The grant proposals also offer insight into goals and planning efforts. Correspondence between The Theater Offensive staff members and philanthropists provides insight into the difficulties of funding radical and progressive theater in the 1990s.
BoxTitleDate
3AIDS Action Committee1993-1996
3Anheuser-Busch Companies1995
3Art Matters1988-1990
3Associated Grant Makers1996
3AT&T1991
3Ben & Jerry's Foundation1992
3Beth El Fund1991
3Boston Council for the Arts/Boston Cultural Council1994-1997
3The Boston Foundation1997-1998
3The Boston Globe Foundation1995
3Boston Women's Fund1995
3The Arch and Bruce Brown Foundation1995-1998
3Cambridge Arts Council1994-1998
3Cambridge Cares About AIDS1990
3Chicago Resource Center1992-1995
3The Nathan Cummings Foundation1995
3Draper Laboratory1996
3First Night Boston1995
3Fleet Financial Group1996
3Fund for the Arts1991
3Funding Exchangen.d., 1992
3Grass Roots Gay Rights Fund1997
3Harvard Pilgrim Health Care Foundation1996
3John Hancock Financial Services Community Relations1997
3Haymarket People's Fund1991-1998
3High Meadow Foundation1994
3Houghton Mifflin1991
3The Jaffe Foundation1991
3The Kongsgaard-Goldman Foundation1994
3LEF Foundation1991-1996
3Leo Model Foundation1993
3The Little Family Foundation1995
3Local Cultural Council1995
3Lotus Philanthropy Program1995
3Massachusetts Cultural Council1993-1997
3Joyce Mertz-Gilmore Foundation1993-1995
3National Endowment for the Arts1994
3The Needmor Fund1995
3New England Foundation for the Arts1995
3New England War Tax Resistance1992
3Open Meadows Foundation1995
3The Scott Opler Foundation1997
3The OUT Fund for Lesbian and Gay Liberation1992
3Amelia Peabody Foundation1995
3Playboy Foundation1994
3Polaroid Foundation1997
3A.C. Ratshesky Foundation1995
3Religious Society of Friendsca. 1989
3Resist, Inc.1989-1990
3The Riley Foundation1995
3Safe Neighborhoods Youth Fund1996
3Safe School Family Outreach1997
3State Street Foundation1996
3Stop & Shop Foundation1996
3Tides Foundation1998
3Very Special Arts1997
3Unidentifiedn.d., 1988, 1998
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Series:

5. OUT On The Edge, 1992-2001
Volume:0.66 cubic ft.
Arrangement:

Chronological and alphabetical
Summary:

The series documents the annual OUT On The Edge theater festival. Held annually in the fall, OUT On The Edge is considered to be among the world's premier queer theater series. The first festival was held in 1992, spread across three different venues; subsequent festivals have been held entirely at the Boston Center for the Arts. The Theater Offensive has made a concerted effort to represent underserved and marginalized communities in the festival, and a considerable number of the performances are by artists of color, the differently abled, and transgendered artists.

The festivals are documented by press and publicity materials, including reviews, press kits, and flyers; logistical materials, including floor plans, lighting designs, technical specifications, and performer arrangements; programs; budget figures; and materials documenting individual productions within each festival, including scripts. None of the festivals and productions are documented by all of the same types of records.
BoxTitleDate
3OUT On The Edge 1
3Budget 1992
3Fund Raising and Marketing1992
3Logistics1992
3, FF5/D3Press and Publicity1992
Productions
3Downs, Randa: In My Father's Bed1992
3Greg-Eugene: You Gotta Keep On Dancin'1992
3Gunter, Gregory: Parents' Day1992
3Harrison, Catherine: Permission1992
3Pomo Afro Homos: Dark Fruit1992
3Through The Fire1993
3Programs1992
OUT On The Edge 2
3Budget 1993
3Fund Raising and Marketing1993
3Logistics1992-1993
3Press and Publicity1993
3Programs1993
Productions
3Alfaro, Luis, Alberto Araiza, and Monica Palacios: Deep in the Crotch of My Latino Psyche1993
3Consenting Adults: Her Aching Heart1993
3Hughes, Holly: Clit Notes1993
3Sneed, Pamela: Imagine Being More Afraid of Freedom Than Slavery1993
3Thomas, John, and Joe Byers: Tight-Ass Androgynous1993
3Thibodeaux, Damien: Tutu1993
OUT On The Edge 3
3Budget 1994
3Fund Raising and Marketing1994
3Logistics1994
3, FF5/D3Press and Publicity1994
Productions
34 Big Girls: Bigger Than A Breadbox1994
3Alfaro, Luis: downtown1994
3Bornstein, Kate: The Opposite Sex is…Neither!1994
3Miller, Tim: Naked Breath1994
3Programs1994
OUT On The Edge 4
4Fund Raising and Marketing1995
4Logistics1995
4Press and Publicity1995
Productions
4Arete Theater Company: Strawberry and Chocolate1995
4Bonin-Rodriguez: Love In The Time of College1995
4Consenting Adults: Three More Sisters1995
4Hickman, Craig: skin & ornaments1995
4Shaw, Peggy: You're Just Like My Father1995
4Programs1995
OUT On The Edge 5
4Budget 1996
4Fund Raising and Marketing1996
4Logistics1996
4, FF5/D3Press and Publicity1996
Productions
45 Lesbian Brothers: Brides of the Moon1996
4Hughes, Holly: On All Fours1996
4Jones, Daniel Alexander: Blood: Shock: Boogie1996
4Miguel, Muriel: Hot 'n Soft1996
4Miller, Tim: Fruit Cocktail1996
4root wy'mn: no mo' blues1996
4Programs1996
4Workshops1996
OUT On The Edge 6
4Budget 1997
4Logistics1997
4, FF5/D3Press and Publicity1997
Productions
4DeLaria, Lea: Eager Beaver1997
4Freeman, Brian: Civil Sex1997
4Keegan & Lloyd: Bed of Roses1997
4Outlaw, Paul: Here Be Dragons1997
4Shaw, Peggy: Menopausal Gentleman1997
4Tropicana, Carmelita: Chicas 20001997
4Walloch, Greg: White Disabled Talent1997
4Programs1997
OUT On The Edge 7
4Budget 1998
4Logistics1998
4, FF5/D3Press and Publicity1998
Productions
4Bloolips: BLOOReview: A Retrospectacle—BLOOLIPS"1998
4Miller, Tim: Shirts & Skins1998
4Sneed, Pamela: Something Else1998
4The Yale School of Drama: The People vs. The God of Vengeance1998
4Programs1998
OUT On The Edge 8
4Logistics1999
4Press and Publicity1999
4Productions1999
4Program1999
4, FF5/D3OUT On The Edge 9: Press Releases and Flyers2000
4OUT On The Edge 10: Press Releases and Flyers2001
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Series:

6. Other Festivals and Productions, 1987-2003
Volume:0.33 cubic ft.
Arrangement:

Alphabetical
Summary:

The series documents The Theater Offensive productions outside of the OUT On The Edge festivals. In addition to showcasing national artists during OUT On The Edge and developing in-house productions, The Theater Offensive has also been a partner with or presenter of many other established or up-and-coming performers and productions. Of particular note is the ¡Spic Out! festival, the first festival in the country showcasing only Latino/a queer performers.

The productions are documented by press and publicity materials, including reviews, press kits, and flyers; logistical materials, including technical specifications and performer arrangements; programs; budgets; and materials documenting individual productions within festivals or showcases, including scripts.
BoxTitleDate
4, FF5/D3A-Zn.d., 2000-2003
4, FF5/D3Bloolips and Split Britches: Belle Reprieve1991
4Body Rock/It1997
Chesley, Robert: Jerker
4Budget 1993
4Fund Raising and Marketing1993
4Logistics1993
4, FF5/D3Press and Publicity1987-1993
4Programs1993
4Reviews1987-1993
4, FF5/D3Cotto Escalera, Brenda, Noelia Ortiz Cortés, & Abe Rybeck: Immaculate Infection2000
Dress Codes: Fear and Clothing
4Fund Raising and Marketing1993
Performers
4Bright, Susie1993
4Mars, Shelley1993
4Vaginal Creme Davis1993
4, FF5/D3Press and Publicity1993
4Programs1993
4Reviews1993
4Scriptsn.d.
Emma Goldman Gypsy Players
4, FF5/D3Fairy Tales, Faerie Tails1991
4Queens are Wild!1991
4, FF5/D3Martin, Renata: Five Bottles In A Six-Pack2000
Pomo Afro Homos: Fierce Love
4Fund Raising and Marketing 1991
4Logistics1991
4, FF5/D3Press and Publicity1991
4Programs1991
4Reviews1991
¡Spic Out!
4Fund Raising and Marketing1994
4Logistics1994
4, FF5/D3Press and Publicity1994-1995
Productions
4Araiza, Albert Antonio (Beto): Meat My Beat1994
4Areté Theater Company: El Hombre Nuevo1994
4Bonin-Rodriguez, Paul: The Bible Belt and Other Accessories1994
4Marga Gomez: Marga Gomez is Pretty, Witty, and Gay (2 folders)1994
4Oliver, Enrique: Castro's Child1994
4Tropicana, Carmelita: Milk of Amnesia (2 folders)1994
4Programs1994
The Theater Offensive Sells Out!
4Fund Raising and Marketing1998
Performers
4Alfaro, Luis: Politicized Body1998
4Shaw, Peggy: Menopausal Gentleman1998
4, FF5/D3Press and Publicity1998
4Programs1998
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Series:

7. Plays At Work, 1995-1999
Volume:0.33 cubic ft.
Arrangement:

Chronological and alphabetical
Summary:

The series documents The Theater Offensive's annual series, Plays at Work. Plays at Work develops and presents new, local theatrical productions in staged readings and workshops. Some Plays at Work titles have become fully-staged productions, including Dirt, Motherlands, Hamartia Blues, and Oklahoma City.

The productions are documented by press and publicity materials, including reviews, press kits, and flyers; logistical materials, including technical specifications and performer arrangements; programs; budgets; and materials documenting individual productions within festivals or showcases, including scripts.
BoxTitleDate
Plays At Work 1
4Fund Raising and Marketing1995
4. FF5/D3Press and Publicity1995
Productions
4Burton, Gail and Diane Beckett: Muses1995
4Passos, Edir: Oh! La La1995
4Rybeck, Abe: Dirt1995
4Programs1995
Plays At Work 2
4Budget 1996
4Logistics1996
4, FF5/D3Press and Publicity1996
Productions
4Cotto, Brenda and Noelia Ortiz: Motherlands1996
4White, Robin G.: Panty Liners1996
4Programs1996
Plays At Work 3
4Budget 1997
4Press and Publicity1997
Productions
4Cole, Tom: Oklahoma City1997
4Neely, Letta: Hamartia Blues1997
4Sign Language Theater: Meet Me In The Light1997
Plays At Work 4
4Budget 1998
4, FF5/D3Press Releases and Flyers1998
Productions
5Tocci, Mirta: Tongues of Fire1998
5True Colors OUT Youth Theater: Love and Mosquitoes1998
Plays At Work 5
5Budget 1999
5, FF5/D3Press Releases and Flyers1999
5Programs1999
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Series:

8. Submissions and Potential Collaborations, 1988-1996
Volume:1.50 cubic ft.
Arrangement:

Alphabetical
Summary:

The series documents The Theater Offensive's relationship with prospective collaborators and new artists. The majority of the materials are scripts or plot treatments in various stages of development submitted to be produced by The Theater Offensive, or to establish a mentor relationship with staff, particularly Abe Rybeck. The remainder of the materials are from other established queer groups and performers, who address the possibility of joint presentation of existing productions, particularly current traveling shows.
BoxTitleDate
5A-Z (2 folders)ca. 1990s
5Above Average Players1994
5Abrams, Ann Caroln.d.
5Adair, Drew1992
5Alice B. Theatre1993
5Alves, Michaeln.d., 1994
5Araiza, Alberto Antonio (Beto)ca. 1995
5Arroyo, Renen.d.
5Beigel, Ann, and Jerry Jamesca. 1994
5Bell, Neil1995
5Berg, Paula1992
5Binnie, John (2 folders)n.d., 1991
5Birimisa, Georgeca. 1994
5Bonin-Rodriguez, Paul1996
5Boutin, Jim1992
5Branner, Djolaca. 1994
5Breen-Green, Carla1993
5Carilli, Theresa1993
5Carmichael, John and Edward Langlais1988
5Casner, Howard1992
5Chin, Justin1993
5Cinque, Chris1992
5Cloutier, Martin1996
5Cole, Tom (2 folders)n.d., 1995
5Corcoran, Jayca. 1996
5Corriveau, Art1995
5Couillard, Paulca. 1992
5Crabtree, Briann.d., 1995
5Croal, Adan.d.
5DeChristopher, D.J.1996
5Downey, Rod1993
5Edmondson, Andrew1994
5Eldridge, Mike1993
5Elovich, Richard1991
5Emery, Drew and Lewis Merkin1995
5Ensler, Eve and William Harper1994
5Gammons, David R.n.d.
5Greenwood, David Valdesca. 1995
5Grygo, Eugene1995
5Harrison, David (same as Catherine Harrison)1995
5Henry, Imanin.d.
5Hicks, Sherryn.d., 1993
5Houston, Sterling1992-1995
5Jaffe, Daniel (2 folders)1995-1996
5Jones, Daniel Alexander1996
5Kasten, Kate and Sondra de Helen1993
5Kelly, Tom1995
5King, Kevin1995
5Kingsbury, Marty (2 folders)n.d., 1994
5Krause, Timothy1996
5Kuntze, Tilly1988
5Long, Brien1996
5Lerner, Lisa1992-1994
5Miller, Susan1993
5Mills, Davidn.d., 1993
5Morgan, Marjorie1996
5Normandy, Michael1994
5Olnek, Madeleine (2 folders)n.d., 1992
5Palacios, Monica
5Queen, Carol
6Rangdale, Thomas1994
6Reyes, Guillermo1994-1995
6Ronis, Eric1994
6Rosenfield, James1994
6Sacred Naked Nature Girls1995
6Schulman, Sarahn.d., 1994
6Scully, David1992-1993
6Senouf, Yan and Jean Genet1991
6Simpatico, David1994
6Sloin, Hilary (2 folders)1995
6Smith, Animal J.1994
6Somsen, Pennell1992
6Stanley, David Arthur1994
6Stewart-Brown, Christi1991
6Tama, Jose Torres1996
6Tec, Roland1994
6Thomas, Colin1995
6Thorburn, Adam1995
6Tom, Johnn.d.
6Tradup, Troy (2 folders)1991-1993
6Trahan, Julia/dolphin1995
6Tucker, Coreyca. 1993
6Ward, Bruce1992
6Wertheim, Aubrey1993
6Wilkie, Marcia1993
6Wise, Eric1994
6Wolf, Laurie1995
6Wong, Patrickn.d.
6Wright, Deborah1996
6Yew, Chay (2 folders)1992, 1994
6Unidentifiedn.d.
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Series:

9. Photographs, 1990-2000
Volume:0.80 cubic ft.
Arrangement:

Arranged to correspond to series arrangement; alphabetical within series arrangement.
Summary:

The series provides visual documentation of The Theater Offensive productions and personnel. Many of the photographs were taken for publicity purposes, although some are more informal snapshots. Due to the absence of video or audio recordings of The Theater Offensive productions, these photographs provide the only documentation of the look and feel of those productions.
BoxTitleDate
Administration
6Board Meetings (2 folders)n.d., 1998
6Public Relations: Boston Pride Parade and Partyn.d., 2000
Early and In-House Productions
6Adult Children of Heterosexualsca. 1991-1993
6Blame It On The Big Banana1990
6Dirtn.d., 1995, 1997
6Motherlands1997
6Pure PolyESTHER (4 folders)n.d., 1991-1999
6Abe Rybeckn.d., 1991
6United Fruit Companyn.d.
Education and Outreach
6Lessons From The Heartn.d.
True Colors
6Clear The Floor1999, 2000
6Love and Mosquitos1998
6Performance Slamn.d.
6Publicity Photographs (2 folders)n.d.
OUT On The Edge
6, 7Festivals 1-7 (7 folders)1992-1998
7Thank You Partiesn.d., 2000
Other Festivals and Productions
7Chesley, Robert: Jerkern.d., 1993
7Cole, Tom: Oklahoma Cityn.d.
7Cotto Escalera, Brenda, Noelia Ortiz Cortés, & Abe Rybeck: Immaculate Infection2000
7Emma Goldman Gypsy Playersn.d.
7Fear and Clothing1993
7Hanbury, David: Personal Instrument2000
7Pomo Afro Homos: Fierce Love1991
7¡SpicOut!1994-1995
7Split Britches and Stacy Makishi: Salad of the Bad Café2000
7The Theater Offensive Sells Out!1999
7Plays At Work 1-4 (4 folders)1995-1998
7Unidentifiedn.d.
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